For শরৎ • The Fall Edit ’26, inspiration began beyond the wardrobe.

The campaign unfolds inside an imagined gallery, where paintings become part of the world surrounding the collection. Rather than drawing from a single artist or movement, the visual direction brings together works from different periods and perspectives, connected through color, atmosphere, nature and emotion.

Claude Monet’s Impression, Sunrise introduces a softened, almost dreamlike quality. Light blends into color and the landscape feels like a fleeting impression rather than a fixed scene. This sense of softness helped shape the campaign’s approach to light and mood, as well as its idea of seeing something familiar from a different perspective. 

'Impression, Sunrise' (French: Impression, Soleil Levant) by Claude Monet, 1872

Nature appears in many forms throughout the references. Pierre-Auguste Renoir’s Forest Path (Waldweg) and Campo de Trigo (Wheat Field) bring warmth and movement to the landscape, while Vincent van Gogh’s Pink Peach Trees (Souvenir de Mauve) offers a more expressive interpretation of the natural world. Gustav Klimt’s Rose Bushes under the Trees transforms nature through dense layers of color and pattern.

The seasonal connection becomes particularly clear in Isaac Levitan’s Autumn Landscape. Its earthy atmosphere feels naturally aligned with Fall ’26 and the collection’s palette of clay, olive, sand, brown and rich neutrals. These grounded shades continue through natural textures, relaxed silhouettes and versatile layers across the collection.

'Forest Path' by Pierre-Auguste Renoir, 1874-1877

Contemporary works also enter the gallery through Albert Handell’s Enchanted Glade and Blue Shadows. Created in soft pastel, the works explore landscape through texture, depth and changing light, adding another interpretation of nature to the campaign’s visual references.

Among the landscapes sits Paul Klee’s Senecio (Head of a Man). Its simplified forms and unconventional portraiture introduce a more introspective perspective. It shifts the conversation from observing the world around us to considering how we interpret what we see.

Paul Gauguin’s Femmes de Tahiti (On the Beach) adds another dimension through figurative composition and distinctive areas of color, broadening the gallery beyond landscapes and bringing the human figure into the visual conversation.

'The Pink Peach Tree' by Vincent Van Gogh, 1888

Together, these paintings did not inspire the collection itself. Instead, they helped shape how the Fall Edit ’26 is presented, influencing the campaign’s imagined gallery, atmosphere, compositions, colors and shifting points of view.

From Monet’s softened light and Renoir’s warmth to Klee’s introspection and the landscapes in between, every painting brings a different way of seeing.

শরৎ • The Fall Edit ’26 invites us into that conversation, where a change in perspective can make the familiar feel new again.